My Passion

My Passion

17 mai 2013

In A Rush

HOLA!

It's been a few days not posting anything here. I kinda miss blogging to be honest. But as a responsible student on the exam weeks, I surely have to focus myself with this-exams-things. Being on this exam period is exhausted. It takes all of the time I have and also my entire energy just to do them well. But overall, there's nothing to be complain about. Instead, I should be thankful because this whole thing forces me to learn and to be more mature.

Just remember the diamond. When it is found in the mine, diamond is usually attached with the host rock. To get the beautiful diamond which we wear as a jewelry, it has to pass the crushing process, cutting process, and it also has to be polished. The entire process is certainly not easy and irritating for the raw diamond. But by seeing the sparkle and the clarity of the diamond, it feels like those painful and hard processes is worthy.

Yes, we all are the diamonds-in-process. It might be hard, even sometimes it might feel too difficult to handle, but remember that this entire processes is for your own goodness. And by passing process by process, you are now getting closer to the final point; being the true diamond :)

Happy exam weeks and final project deadline, people! :D
Host stone of diamond
The diamond gems


Hugs & Kisses,



Delicia

14 mai 2013

The Cellist of Sarajevo


What do we do when faced with unspeakable horror? 
Play music is what a resident of Sarajevo, capital of Bosnia, did, even as bombs rained around him. His is a story 
of courage and grace in difficult times


A musician walks on stage to the sound of deafening applause. He is in his coattails, dressed in black. He bows, sits down on a concert chair and takes an instrument in his hands. Let’s say it’s an old cello the colour of burgundy. A few quiet moments as he prepares himself. And then, the music flows. 

This is a routine every Western classical musician is familiar with. As was Vedran Smailovic, principal cellist of the Sarajevo Opera, when he decided to perform it in the middle of the war zone that his neighbourhood had become. The year was 1992. The former Yugoslavia had erupted in ethnic strife and beautiful Sarajevo, with its rich theatre and art traditions, had transformed into Europe’s “capital of hell”.

At 4 pm on May 27, as a long queue waited patiently for bread in front of one of the last functional bakeries in the city, a mortar shell dropped in the middle of it, killing 22 people instantly. Smailovic looked out of his window to find flesh, blood, bone, and rubble splattered over the area. It was the moment he knew he had had enough.

Smailovic was 37 at the time, widely recognised as an exceptionally talented cello player. Till 1992, he had been occupied with his involvements in the Sarajevo Opera, the Sarajevo Philharmonic Orchestra, the Symphony Orchestra RTV Sarajevo, and the National Theatre of Sarajevo, as well as playing the festival circuit and working in recording studios. 

Looking back on that period, Smailovic describes himself and his associates as being “totally naïve”.  So great was their confidence in their unity and plurality, he says, that even when they were watching what was happening in other parts of Yugoslavia, they felt absolutely certain that similar destruction could never happen in Sarajevo, that it would be impossible to destroy such strong unity. That dream was shattered by 1992.

Smailovic felt enraged by what was happening around him and powerless to do anything about it. He was neither a politician nor a soldier, just a musician. How could he do anything about the war? Did that mean he would just stand by and watch people die, fearing all the while for his own life? In the long, dark night that followed the bread-queue massacre, Smailovic thought long and deep. With the dawn of a new day, he had made up his mind that he would do something, and that something would be what he knew best—make music.

So every evening after that, at 4 pm, Smailovic would walk to the middle of the street, where the massacre had occurred. He would be dressed formally, as for a performance. There he would sit, on a battered camp stool placed in the crater made by the shell, his cello in his hand, playing music. All around him, mortar shells and bullets would fly. Yet he would play on regardless, perhaps substituting the war noise with applause in his mind.     

For 22 days, one each for the people killed, Smailovic played in the same spot. He played to ruined homes, smouldering fires, scared people hiding in basements. He played for human dignity that is the first casualty in war. Ultimately, he played for life, for peace, and for the possibility of hope that exists even in the darkest hour. Asked by a journalist whether he was not crazy doing what he was doing, Smailovic replied: “You ask me am I crazy for playing the cello, why do you not ask if they are not crazy for shelling Sarajevo?” 

Smailovic continued to play his music of hope until December 1993, in graveyards and bombsites. He had decided to “daily offer a musical prayer for peace”, he said. As his story began to filter into the press, he became a symbol for peace in Bosnia. An English composer, David Wilde, was so moved by the story that he wrote a composition for unaccompanied cello, simply called ‘The Cellist of Sarajevo’, into which he poured his own feelings of outrage, love, and brotherhood with Vedran Smailovic.

Celebrated cellist Yo Yo Ma played this piece at the International Cello Festival in Manchester, England, in 1994. Pianist Paul Sullivan, who was present, describes it thus: “Quietly, almost imperceptibly, the music began, stealing out into the hushed hall and creating a shadowy, empty universe, ominous with the presence of death, haunting in its echoes. Slowly it built, growing relentlessly into an agonised, screaming, slashing furore, gripping us all, before subsiding at last into a hollow death rattle, and finally, back to the silence from which it had begun.

“When he had finished, Yo Yo Ma remained bent over his cello. His bow still rested on the strings. No one in the hall moved, not a sound was made for a long, long time. It was as though we had just witnessed that horrifying massacre ourselves. Finally still in silence, Yo Yo slowly straightened in his chair, looked out across the audience, and stretched out his hand toward us. All eyes followed as he beckoned someone to come to the stage, and an indescribable electric shock swept over us as we realised who it was: Vedran Smailovic—the cellist of Sarajevo himself! He rose from his seat and walked down the aisle as Yo Yo came off the stage and headed up the aisle to meet him. With arms flung wide, they met each other in a passionate embrace just inches from my seat.

“The drama was unbelievable, as everyone in the hall leaped to his or her feet in a chaotic emotional frenzy: clapping, weeping, shouting, embracing, and cheering. It was deafening, overwhelming, a tidal wave of emotion. And in the centre of it at stood these two men, still hugging, both crying freely. Yo Yo Ma, the suave, elegant prince of classical music worldwide, flawless in appearance and performance. And Vedran Smailovic, who had just escaped from Sarajevo, dressed in a stained and tattered leather motorcycle suit with fringe on the arms. His wild long hair and huge moustache framed a face that looked old beyond his years, creased with pain and soaked with so many tears.”

In the years since his heroic anti-war statement, Smailovic has relocated to Belfast, Ireland, where he performs, composes, conducts, and produces music locally and internationally. But the message of this story is greater than the man who made it. As American philosopher Robert Fulghum says in his book Maybe (Maybe Not): Second Thoughts From a Secret Life: “Listen. Never, ever, regret or apologise for believing that when one man or one woman decides to risk addressing the world with truth, the world may stop what it is doing and hear. There is too much evidence to the contrary. When we cease believing this, the music will surely stop. The myth of the impossible dream is more powerful than all the facts of history. In my imagination, I lay flowers at the statue memorialising Vedran Smailovic—a monument that has not yet been built, but may be.” 



13 mai 2013

Help me pleaseeee

Hey People! 

I have an assignment to make some kinda business plan and I need to do the survey about my product.
Do you mind to help me, guys??? You can help me by filling this survey form. Thank you and God bless you :)

Shoester form survey :
https://docs.google.com/forms/d/1w7YfqkzorX3QEL1gBzck-qNIwbT-A9wGv1WAwZtQrLM/viewform


Love,



Delicia

11 mai 2013

"Are you happiest and saddest right now that you've ever been?" "Of course I am." "Why?" "Because nothing makes me happier and nothing makes me sadder than you."
-The History of Love by Nicole Krauss

8 mai 2013

You Are Beautiful

I was searching for some videos on YouTube, until this commercial popped up. At first, I didn't really get just what the commercial was about. But when I finished watching the ads, I did feel that this was such a good way to make us realize this very crucial thing. The way you look yourself is sometimes significantly different with what people see. Mostly, you judge yourself too hard and only focus on something lack from you. It makes you don't see the beauty of yourself because
"you are more beautiful than you think".



I hope this video inspires you, too :)

Hug & Kiss,


Delicia

Blogging And I

Hola People!

First of all, I'd like to apologize for me vanishing in the past weeks. There are obviously so many things to handle, including my physical health. Moreover on these very last couple days, I've been dealing with an internet issue. Well, again I got some problem with the cables and stuff. There're also some events I had to attend such as being moderator in a leadership seminar (last week), attended Trademark 2013 at Trans Luxury Hotel as a tenant (2-5May), went to mas Ade Rai's birthday celebration yesterday, and also doing my 'main job' as a student especially in these exam weeks. Hfffttttt.....

Blogging is definitely one of my interest. Somehow, I feel like I'm escaping my life through blogging. Here, I'm not only sharing about my life and stuff. It also opens my mind to the things I didn't notice before. I find so many interesting articles which are sometimes mind blowing. It also forces me to at lease know a little bit about HTML and website's coding, and so on albeit this is not my field. And after doing this for the past few months, now I find myself improved.

Well.. Everyone suppose to have different ways to improve themselves based on their own interest and personality. For me, one of the ways is by blogging. Finding the way (or in case: media) to express your interest needs a process. It is not in an instant, it might take some times to really feel what you are doing and fall in love with it. But that's worth a try! In other case, you just know that 'this is my thing' from the very first chance. Well, that's good cause it means that your instinct drives you there. 

Actually, I planned to write a brief note, but here it is; longer than what I expected :p 
At last, I just want to remain you to do the things you love and to find a way/media/organization to get there. It is essential for us not only to do what we should do (our duty), but also what we desire to do. So, what's your interest? ;)


Hug & kiss,



Delicia